Farewell to FSM Feb02

Farewell to FSM

As most of you reading this probably know by now, Lukas Kendall and the gang at Film Score Monthly have decided to cease their line of venerable CD releases later this year with the arrival of their 250th disc. That will be a sad day indeed in soundtrack land as the label has lovingly produced some of the most eclectic and desired soundtracks ever made in its decade plus run. In that spirit, we celebrate some of our favorites by each choosing five discs from their catalog, some familiar and some not. Podcast: Play in new window | Download

Elfman to score Hunger Games, Oz Jun20

Elfman to score
Hunger Games, Oz

It looks as though Danny Elfman will compose the music for the much anticipated film adaptation of the bestselling Hunger Games series, the composer revealed in an interview with Buzzine. This should be a good chance for Elfman to continue his move away from comic book franchises and into something a little different, although let's hope he can give it a more distinctive sound than some of his recent work.

John Barry Retrospective May28

John Barry
Retrospective

A look back at the life and legacy of the late, great John Barry.

Goldsmith’s Alien Theme as Disco May07

Goldsmith’s
Alien Theme as Disco

Yeah, you read that right. Apparently the disco-ization of great science fiction film scores didn't stop with Meco's version of the Star Wars theme.

2010 Year In Review Jan11

2010 Year In Review

Let's face it: 2010 was a lousy year at the movies. Aside from a few gems, Hollywood seemingly left creative storytelling and original ideas at the door for lots of stupid in glorious 3-D. New film music didn't fare much better, which made it especially hard to do our annual year end best-of episode. So we cheated.

Jade Jan08

Jade

Jade is one of those James Horner releases that I suspect will be prized more for its collectibility than its musical content. I’ve often marveled at those who would spend hundreds of dollars on eBay for the out-of-print Vibes CD when one of his many in-print albums would be a lot more interesting. Those will probably be the same sort of completists that will seek out this album.

Tron: Legacy Dec12

Tron: Legacy

When it was announced that the French electronic duo Daft Punk would be scoring the hotly anticipated sequel to Tron, the elephant in the room was whether this was “stunt casting” on the part of the producers or a legitimate attempt to infuse something unique into the film’s soundtrack. One could argue that Disney made a similarly unusual choice in Wendy Carlos, the composer of the original film. While it’s true she was a Hollywood outsider, she did have a proven track record of fusing electronic music with a classical orchestra. Daft Punk on the other hand were primarily known for their infectious, sometimes maddeningly repetitious dance music and their eccentric stage shows.

Hans Zimmer to score Superman Dec05

Hans Zimmer to score
Superman

It what is sure to be the first of many surprises for the project, Hans Zimmer has confirmed that he will be scoring the rebooted Superman, to be directed by Zack Snyder (300, Watchmen) and produced by Christopher Nolan (The Dark Knight). Zimmer made the announcement informally at the Inception DVD release party, as reported by...

Shore confirmed as Hobbit composer Nov19

Shore confirmed as
Hobbit composer

It probably comes as no surprise to anyone who's been following the on-again, off-again preproduction saga of "The Hobbit", but it looks like things are finally coming together for the previously troubled project. With director Peter Jackson officially back at the helm, there was little doubt that the director would reunite with Howard Shore, who won two Oscars for his Lord of the Rings scores.

From the Deathly Hallows scoring stage Nov17

From the Deathly
Hallows scoring stage

Whether or not you are a Harry Potter fan, you know by now that part one of the final installment hits theaters this Friday. To tide you over until then, here's some video from the scoring session and a short interview with composer Alexandre Desplat.

Let Me In Nov06

Let Me In

Modern variations of the vampire myth, such as Twilight and True Blood, have reduced the creature from a figure of dread and horror to a near comic anti-superhero with fangs. Little of the best cinematic depictions by Max Schreck or Bela Lugosi remain.